Dr. Shahida Mansoor is a distinguished Pakistani artist and academic renowned for her expertise in Japanese woodblock printmaking. She began her artistic journey with a Master's degree in Fine Arts from Government College for Women, Rawalpindi, in 1988.

Studies in Japan
In 1994, she was awarded the Japanese Monbusho Government Scholarship, which allowed her to pursue further studies in Japan. She became the first recipient of a doctoral degree in Japanese woodblock printmaking from the Tokyo National University of Fine Arts and Music in 2001.

International Exhibitions and Recognition
During her seven-year stay in Japan, she actively participated in exhibitions in Tokyo, Seoul, Chicago, and Barcelona. Her work was recognized with several awards, including the Tawara Award and the Machida City Award. In 2002, she was invited to participate in the International Artists Show for World Peace, organized alongside the Dalai Lama.

Life in Austria
After completing her doctorate, Dr. Mansoor lived in Austria, where she continued to exhibit her work and contribute to the cultural scene.

Return to Pakistan and Academic Career
Upon returning to Pakistan, she joined the COMSATS Institute of Information Technology in Islamabad as an Associate Professor in the Department of Architecture and Design. Her teaching and academic leadership have played a significant role in promoting art education in Pakistan.

Artistic Style and Themes
Dr. Mansoor’s work reflects a unique fusion of Japanese aesthetics with local Pakistani themes. One of her notable pieces, "Mankiala My Home," created using Japanese water-based woodblock techniques, is inspired by the Gandhara civilization of Pakistan.

Workshops and Community Engagement
In addition to her professional practice, Dr. Mansoor has conducted workshops on Japanese woodblock printing. Through these efforts, she has helped spread awareness and appreciation of this traditional art form among students and art enthusiasts in Pakistan.

Legacy and Contribution
Dr. Shahida Mansoor’s contributions have significantly enriched the Pakistani art landscape, bridging cultural traditions and fostering a deep appreciation for Japanese woodblock printmaking in the region.