Moeen Faruqi was born in 1958 in Karachi, Pakistan, where he continues to live and work. He is a multidisciplinary figure in Pakistan’s contemporary art world, known for his contributions as a painter, poet, curator, and art educator.

Education
He holds a Bachelor of Science in Physics from California State University, Fresno, and a Master of Education from the University of Wales. His academic background reflects a unique blend of science and the humanities, which informs the intellectual depth of his artistic practice.

Artistic Practice
Faruqi's paintings are deeply reflective of urban alienation and existential themes. His work often portrays men, women, and animals in surreal, almost theatrical settings. These compositions suggest a sense of detachment, absurdity, and introspection in response to the complexities of modern urban life.

In many of his works, characters look directly at the viewer, inviting emotional and psychological engagement. He has also explored abstraction in recent years, with works like Clifton Bridge symbolizing the fading of individuality in large urban centers.

Exhibitions and Recognition
Faruqi has exhibited widely, both in Pakistan and internationally. His solo exhibitions have been hosted at major venues such as Canvas Gallery and Koel Gallery in Karachi, Khaas Gallery in Islamabad, and galleries in Toronto and Pisa. His work has also been shown in Canada, Italy, Singapore, Bangladesh, the United Kingdom, and India.

Poetry and Literary Contributions
Alongside his visual art, Moeen Faruqi is an accomplished poet. His poetry has appeared in prominent anthologies such as Poetry from Pakistan: An Anthology and Dragonfly in the Sun: An Anthology of Pakistani Literature. His literary works have also been featured in international journals including The Rialto (UK), Rattle (USA), and Cyphers (Ireland).

Themes and Style
Faruqi’s art is characterized by bold colors and narrative-driven compositions. His work explores themes of identity, psychological fragmentation, societal expectations, and globalization. He often uses surreal and symbolic imagery to express the contradictions of modern life. A notable recent development in his practice is the “Large Face” series, which presents exaggerated portraits that emphasize individuality and human complexity.